Press coverage for our "sight/unseen" art show

We are grateful to our local news media for sharing our efforts with their readers and the community at large. Click the links below to read the articles and enjoy watching a quick video montage of the fourteen pieces from the show.

East Bay Times - Self-reflection drives art for Concord Community of Artists
Claycord News & Talk - Why artists love living here
Concord Pioneer - Exploring our identity through art  (page 17)

Last - but not least!

Anamilena Ayala
She by Anamilena Ayala - Acrylic

Sylvia Nuzzo Philis
Hands by Sylvia Nuzzo Philis - Photography

Mary Frances Crabtree
Follow the Light by Mary Frances Crabtree - Drawing

Lois Willhite
New Beginnings by Lois Willhite - Mixed media

Lisa Fulmer
Dwellings by Lisa Fulmer - Mixed media

Altar - An assemblage for Michelle Morey

Right before the show, one of our participating artists and the manager of The Artist's Den - Michelle Morey - was unable to finish her piece due to an urgent family matter. We wanted her to still have a presence in the show, so each artist contributed an item that reflected some aspect of Michelle's narrative and the 13 items were assembled together into a wallhanging for her. 

Click here to download all the artists' narratives.

More from the "sight/unseen" show

kim lawson
The Art of Teatime by Kim Lawson - Assemblage

Click here to download all of the artists' narratives that further describe their work.

Emily Stepp
Creek Culture by Emily Stepp - Mixed media

Michelle Cicala
Granny by Michelle Cicala - Acrylic

Catherine Hensiek
Yellow Alert by Catherine Hensiek - Mixed media & altered book

Catherine included interviews from friends who also experienced a "yellow alert."

Opening weekend!

concord community of artists sight unseen art show

The opening weekend for our sight/unseen show was a resounding success! So many people came to see our exhibit - friends, family and the community at large. We are so grateful to all of the participating artists, to The Artist's Den and to all the tireless volunteers who helped make this show happen. We want to especially thank Sylvia Nuzzo Philis (CCofA founder, shown above at lower right wearing purple) for her vision of this show's theme on identity.

sight/unseen is still on display this week (Monday—Thursday, 10am—2pm at The Artist's Den, 1913 Salvio Street in Concord) if you didn't catch us this past weekend. In addition to viewing intriguing and diverse works of art, you'll enjoy reading each artist's written narrative about their inspiration and approach to their work. Click here to download a PDF file of all the narratives.

This week we'll feature all of the art here on the blog, starting with these four artists - Laurie, Joani, Sharon and Marie. Enjoy!

Finding My Cultural Landscape by Laurie Mansur - Mixed media

My Story by Joani Share - Mixed media

Ties That Bind by Sharon Petersen - Watercolor

Madeira by Marie Gomes - Acrylic

Meet the artist - Lois Willhite

Flowers at Butchart Gardens by Lois Willhite

This month we are featuring interviews with the artists who are part of our upcoming art show -sight/unseen - at The Artist's Den in Concord, May 21-26, 2016.

This is Lois Willhite - what do you like most about living in Concord?
Concord has the natural beauty and the feeling of a rural community, with everything we need within a short drive from our home. Also there are the amazing views of Mt. Diablo to the east and San Pablo Bay to the west, with its fabulous sunsets.

Concord has grown in size over the years and that rural feeling is no longer there, but the surrounding open spaces still inspire my appreciation for the beauty of the seasons with their changing colors, and for new opportunities. Our neighborhood is very family-oriented and the children of our neighbors now have families of their own; they continue to return and still consider our community to be home.
What mediums do you plan to use for this show?
I am a creative mixed media artist - I like needlework, crafting, drawing and painting. The subject and medium for my entry in this event is a bit out of my comfort zone. I will be using mixed media in the hopes of creating a collage effect with watercolor, pastel and/or acrylics.
Outrunning the Storm by Lois Willhite

How long have you been making art?
My oldest brother was the artist in the family. He became my mentor through his love for music and his daily sketches. I have had an interest for creative art from an early age and always used whatever medium was available. Drawing in the sand at the age of 5 was the beginning of my desire to become an artist. I loved all art projects that were introduced during my early school years and when I reached high school age, I enrolled in an art class by mail with the Artist’s Institute. During the years after graduation I lost the interest for turning art into my professional dream. Instead I married, got a job, and raised my children. 
Needle work was a necessity while I was growing up. The reward and self satisfaction from the completion of the projects is why I like it. Crafting is enjoyable because I like to work with different textures and new ideas, drawing is for my peace of mind, and painting is for the challenge. After moving to California and our children were in school, my artist neighbor and I enrolled in art classes at DVC, which revived my interest for the arts. Over the past few years I have taken classes within the Mt Diablo Adult Education system to advance my art to a new level.
What advice do you have for the new artist?
The only tip I have for achieving “complete satisfaction” would be to pick the medium of your choice and go for it. Don’t be afraid to try new ideas, but be true to what fits best for you.

Meet the artist - Emily Stepp

By Emily Stepp

This month we are featuring interviews with the artists who are part of our upcoming art show -sight/unseen - at The Artist's Den in Concord, May 21-26, 2016.

This is Emily Stepp - what do you like most about living in Concord?

I’ve lived in Concord on and off since the start of my sophomore year at college in 2009. I have drawn inspiration from nature in the area, often taking photographs in parks to use as reference material later on. 
Cities without enough green space make me feel drained and claustrophobic, so I really enjoy our convenient access to so many parks and wildlife areas.

What mediums do you plan to use for this show?
I plan to tackle this piece with a mixed media approach. I often paint with acrylic on a flat plane, or I sometimes sculpt, but I don’t usually combine the two. I’m wanting to find a way to incorporate sculpture with a traditional flat painting. I think constantly innovating is the only way to truly improve. You have to keep challenging yourself or you’ll get stuck in a groove. Even if you never use a particular method again, it will better inform your future work.
Any new techniques or materials you've learned about recently?
I’ve been learning how to make 3-D digital models lately. It’s definitely out of my comfort zone, in that I had to learn an entire program and become accustomed to its limitations. I’ve taken several classes in the past to learn clay sculpture, so I had to translate that into my digital models. I have even used these 3-D models as reference material for 2-D work, since I can add dynamic lighting and poses.

By Emily Stepp

How long have you been making art?
I’ve been making art since I was old enough to hold a crayon. I became serious about art as a career in high school and enrolled in California College of the Arts in 2008. 
What's the best advice you've received as an artist?
I would say that my first true artist mentor was Randy Chavez. He taught Illustration along with the History of Illustration. He was full of helpful advice and various pieces of wisdom. He encouraged us to practice as much as possible to fulfill our “ten thousand hours” that's needed to become an expert at something. His magic realism pieces are also an inspiration for me stylistically. 
What advice would you give a new artist?
By far the best tip for a new artist is to practice. Keep drawing, sculpting, photographing - just keep doing it. You never start out being the best. You should never compare your art to anyone else’s, always compare your current work to your older work to see improvement. Only measure yourself against yourself. Most students think they need to avoid something they’re bad at, but that’s exactly what you should practice until it is no longer difficult at all.

Meet the artist - Joani Share

By Joanie Share
This month we are featuring interviews with the artists who are part of our upcoming art show -sight/unseen - at The Artist's Den in Concord, May 21-26, 2016.

This is Joani Share - what do you like most about living in Concord?

I have lived in Concord just shy of 1 year - since April 2015; prior to the move to California, my husband and I lived in Phoenix, Arizona for over 40 years. We moved here to be closer to family, which has been a great joy to us. The proximity to San Francisco and all that a large, world-class city has to offer has been inspiring and exciting. Being new to the area, everything is a learning curve from shopping to driving – exploring our new surroundings is lots of fun. Moving from the desert and extreme heat to milder temperatures has made living easier, and seeing actual seasons has been inspirational- the shock of fall colors and spring flowers is a contrast to the subtle changes found in the desert terrain. I love my new studio space, it is large, light and airy – it used to be a garage, but no more. With the sealing of the garage door, addition of windows and heating/cooling it is my favorite place to be – I am there all of the time.

What mediums do you plan to use for this show?
It will be mixed media. I started using my sewing machine to create art – making lines become dimensional. I love exploring new media and techniques, I have no fear of color and will try just about anything art-wise to see how it works with my ideas.

Any new techniques or materials you've learned about recently?
I learned how to do monoprints using plexiglass plates. It was not something I knew, but instantly fell in love. The technique I learned was untraditional – oil paint on dark paper – it was fascinating – different and forgiving. I learned to incorporate printmaking into many of my older pieces, without the use of a printing press. The new gel plate prints are helpful in creating texture and pattern to paper which can be used as is – or cut up. Experimenting is something I love to do.

By Joanie Share

How long have you been making art? 
I have been creating art for as long as I can remember. I have been an art teacher, and a student mentor. My students always told me that they liked my honesty – I worked with them on drawing and composition. The hardest part of doing art is creating it - and knowing when to stop. Below is what I share with my students:

Rethinking Some Myths

Myth 1:  The ability to draw is inherited.
This is one of the main reasons people believe they cannot draw or give up after only a few attempts. I am convinced that this is false.

Myth 2:  There is a right and wrong way to draw.
There are learned techniques and approaches that will help you draw in ways that enhance your drawing skills. However, in art museums and art galleries you will see all manners of drawing, from precise to sloppy, from beautiful to ugly. Even art critics are in constant disagreement about what comprises good and bad art. Art students sometimes hand the same work to different teachers and get wildly divergent opinions. Unless you have been commissioned to do a certain drawing, it is not necessary to please anyone but yourself.

Myth 3:  Drawing is simply for pleasure and has no practical use.
The process of creating art helps develop problem-solving skills, develops concentration and visual perception skills that are applicable in many other areas, and promotes relaxation and creative energy that is healing to the mental and emotional body.

Myth 4:  You can’t really draw if you have to look at a photograph.
You cannot realistically draw the endless array of of animals, birds, and foliage that exist from your imagination alone. If you cannot locate the subject or object you wish to draw, it is okay to use photographs as a reference tool. You can use these references to create your own works of art.

Myth 5:  Real artists successfully draw what they want without making mistakes.
Nothing could be further from the truth. Most artists are dissatisfied with their preliminary works. Sometimes they do a composition over and over, adjusting parts they don’t like. “If a professional artist does five drawings, how many do you think he or she will like enough to frame?” The typical answer is two at the most. Give yourself freedom to explore the way professional artists do. Only with freedom will you maximize your progress. Finish the drawings you don’t like, without trying to hide them or apologize for them. This will empower you to learn from your efforts and take advantage of the magic that originates in so-called mistakes.

What advice do you have for a new artist?
It takes a long time to create art – don’t ever get discouraged! If you think you made a mistake, fix it. With art you can always adjust – mistakes are often just happy accidents. Remember for every great piece that Matisse or Renoir created, there were hundreds that they discarded so that you could enjoy the ones known worldwide.

Meet the artist - Michelle Morey

Ladybug by Michelle Morey 

This month we are featuring interviews with the artists who are part of our upcoming art show - sight/unseen - at The Artist's Den in Concord, May 21-26, 2016.

This is Michelle Morey - what do you like most about living in Concord?

I have been in the Bay Area for almost 30 years and I feel blessed to be surrounded by such amazing creative energy and beauty. 
Having worked in Concord less than a year, I am new to the area and quite impressed by how open and supportive the community of artists here have been. 
I manage The Artist's Den, a gallery and studio for adults with developmental disabilities. We opened in June of last year and have been well-received by the community. 
The comment I hear from most artists who stop by is, "This is wonderful, but we need more gallery space!"

What mediums or techniques will you be using for your piece?
I will be working with both old and trusted mediums and trying some new things. This project is a challenge on several levels. I have spent years dedicating my energies to supporting others in their creative endeavors while setting mine aside, but also my vision is changing and I am coming to terms with the real possibility of losing my vision. I am exploring the impact this is having on my life and my art. I love to paint, but I need to let go of the fine detail work I enjoy and am now leaning more towards texture and color. I have a sense of where I would like for this piece to go, but it feels very organic. Giving up control, learning to do things differently and acceptance seem to be the lessons here.

Lonnie Carter with work he created at The Artist's Den
Lindsay Worthington with her art

How long have you been creating art?
I have been playing with art all of my life. My mother was a very creative person and if Barbie needed clothes or a home, we made it. We were always making things - painting, refinishing, sewing and sanding.
What's the best advice you've received as an artist?
My mom was never afraid of making mistakes or making a mess, which is what she taught me. She also taught me not to worry too much about following the rules or directions, which can still get me into trouble. I feel pretty lucky to have grown up with that kind of freedom, because it kept my creative spirit alive and I have never been afraid of getting my hands dirty. My boss doesn't always love me, though.

Meet the artist - Sylvia Nuzzo Philis

Not Just Another Day by Sylvia Nuzzo Philis - photography
This month we are featuring interviews with the artists who are in our upcoming art show - sight/unseen - at The Artist's Den in Concord, May 21-26, 2016.

This is Sylvia Nuzzo Philis - what do you like most about living in Concord?
I’ve lived in Concord nearly 10 years, and in nearby Walnut Creek for 5 years prior to that. At that time, 15 years ago, I had just ‘landed’ in the East Bay after making the move from western Canada. I find there are so many ways to enjoy the area, mainly through nature and being outdoors. The mild/warm weather, Mt. Diablo, walking/cycling trails, proximity to ocean and mountains - this is all very valuable for me as an artist. The more I become involved in the community, particularly the arts community, the more likable Concord is to live in.
What medium(s) do you plan to use for your piece in the show?
I generally use photography in some way for my art, although it’s not always in the traditional form. If there are ways I can distort a view or put a twist on a process or technique, that's when it becomes most interesting for me, so I’m always willing to change things up. 
However, in realistic photography, I am very drawn to a photojournalistic style. Here again, I like to make visible what is perhaps not usually always seen or obvious.

Any new techniques or materials you've learned about recently?
My approach to art-making often falls towards finding a solution to a problem, or an answer to a question. My attention lately has been less focused on my particular art-making skills or art practice, but more about my practice of community-building through the arts. Much like any creative practice I have, I am constantly thinking about it, I take some action every day in order to make progress, and consider the progress made as somehow making a difference in the world. Although making a difference in the world is a bigger responsibility when provoking and supporting community art as I have been doing lately. Not only does it have to make a difference for myself on a personal level, but when you engage at a broader level you want it to have a positive effect and outcome for the parties involved and the public at-large.
Yes, I'm Listening by Sylvia Nuzzo Philis - photography

How long have you been making art?
I’ve been an artist since I can remember. For many years it was performing arts that consumed me: music, theater, dance…and when I began to take dance seriously, I found that it was choreography that I became most engaged in; the making of dances, the elements of composition, the use of space, and the message or form that was conveyed. This turns out to be the same priorities for my visual artwork. 
What's the best advice you've received as an artist?
My training has been eclectic and therefore I consider much of my mentorship to be somewhat non-traditional as well. I hesitate to name names for fear of neglecting to mention someone totally obvious, but if I were to mention one person, it would be the late, great David Adams, who was the first principal danseur for the National Ballet of Canada back in the day. I had the honor of having him as a teacher for 3 years while I was studying dance at the college level. He was so wise and so subtle in his ways of making us dance beyond what we imagined our abilities to be. He was a very gifted dance artist and uniquely generous in sharing his artistry with his students.
What advice do you have for new artists?
There is no shortage of advise for art students…I keep the same approach for my artwork as I do for most things, but it’s even more critical for artists…simply, if it’s important to you, then make it a priority.

Meet the artist - Sharon Petersen

Blowin' in the Wind by Sharon Petersen - watercolor

This month we are featuring interviews with the artists who are in our upcoming art show - sight/unseen - at The Artist's Den in Concord, May 21-26, 2016.

This is Sharon Petersen - what do you like most about living in Concord?

It was early 1980 when I moved to Clayton from Chicago and I immediately felt “at home,” and each subsequent year has only solidified that feeling. 
From the oak-covered emerald green winter and spring hills to the clear blue summer skies leading to our long glorious fall, there is no better place to live or to be inspired to create art based on nature. 
The only challenge I've experienced is the extreme heat in summer which makes it difficult to paint en plein air. 

What medium(s) do you plan to use for your piece in this show?
As a professional landscape designer, I had always worked with graphite, markers and colored pencils. After I retired three years ago, I tried watercolor painting for the first time, as I had always promised myself I would do. I fell in love and haven't tried anything else since. There is so much to learn in this medium and I know that I haven't scratched the surface yet. I'm content to stay with my watercolor practice, but I may surprise myself and add another media. My vision seems to be begging for additional texture of some kind.

Any new techniques or materials you've learned about recently?
I learned about using watercolor ground on stretched artist canvas, then painting over it in watercolor. This excited me as it opened new avenues for textural experimentation. The work also needn't be framed using this method.

Waiting for You by Sharon Petersen - watercolor
How long have you been making art?
I always felt the need to be creative no matter what direction my work took me, from the fiber arts to black and white photography and dark room work to landscape design. It wasn't until I studied with architect Christopher Grampp that I learned that “everyone can learn how to draw.” Eventually I came to believe that. 

What's the best piece of advice you've received as an artist?
Grampp also taught me that the only way to improve is by practicing every day. This has been true for me in pencil sketching and watercolor painting - I now strongly believe this!

What advice do you have for a new artist?
Use good materials and practice every day. Accept from the start that most of your work won't be a masterpiece and you won't be disappointed.